2019

Bortz, B., Jaimovich, J., & Knapp, R. B. (2019). Cross-Cultural Comparisons of Affect and Electrodermal Measures While Listening to Music. Proceedings of the 8th International Conference on Affective Computing and Intelligent Interaction (ACII)., 7. Cambridge, UK.

Bate, M., Jaimovich, J., & Morand, F. (2019). Muscular Wires. DEMO presented at the New Interfaces for Musical Expression 2019, Porto Alegre, Brazil.

Jaimovich, J., & Morand, F. (2019). Shaping the biology of emotion: Emovere, an interactive performance. International Journal of Performance Arts and Digital Media, 1–18. https://doi.org/10.1080/14794713.2018.1563354

2018

Jaimovich, J., & Morand, F. (2018a, March). Interactive Performances for Dance, Sound and Biosignals. Workshop presented at the New Interfaces for Musical Expression, Blacksburg, Virginia.

Jaimovich, J., & Morand, F. (2018b, September). EMOVERE. Presented at the CHILE-JAPAN FORUM, Workshop 9: ARTS, SCIENCE AND INNOVATION, Nikko, Japan.

Morand, F., & Jaimovich, J. (2018, October). Intersecciones Frágiles: Lenguaje inter(activo/disciplinar) danza y sonido. A.DNZ, 3, 160–163.

2017

Jaimovich, J., & Morand, F. (2017a). Composición Sonora Interactiva con Danza: Prácticas desde Proyecto Emovere. Presented at the Congreso Internacional de Acústica y Audio Profesional INGEACUS 2017, Valdivia, Chile.

Jaimovich, J., & Morand, F. (2017b, June). Interactive Performances for Dance, Sound and Biosignals. Workshop presented at the International Symposium on Electronic Art 2017, Manizales, Colombia.

Jaimovich, J., & Morand, F. (2017c, October). Emovere Project : interactive design for biosignals, dance, sound and voice. Presented at the IRCAM Forum, Santiago, Chile.

Morand, F., & Jaimovich, J. (2017a). Intersecciones Frágiles. Presented at Bajo la Mesa Verde: Encuentro, Contradicciones y (Contra) Acciones en torno a la Danza en el Chile actual, Santiago, Chile.

Morand, F., & Jaimovich, J. (2017b, June). Self-Intersection: interactive design for biosignals, dance, sound and voice. Artist Talk presented at the International Symposium on Electronic Art 2017, Manizales, Colombia.

2016

Gómez, E., Jaimovich, J., 2016. Designing a Flexible Workflow for Complex Real-Time Interactive Performances, in: Proceedings of the 2016 Conference on New Interfaces for Musical Expression (NIME). Presented at the New Interfaces for Musical Expression (NIME), Brisbane, Australia, pp. 305–309.

Jaimovich, J., 2016. Emovere: Designing Sound Interactions for Biosignals and Dancers, in: Proceedings of the 2016 Conference on New Interfaces for Musical Expression (NIME). Presented at the New Interfaces for Musical Expression (NIME), Brisbane, Australia, pp. 316–320.

2015

Jaimovich, Javier. 2015. "Señales Fisiológicas para la Creación de Sistemas Interactivos de Sonido” Seminar presented at Simposio sobre Creatividad, Sonido y Tecnología, Valdivia.

Bortz, Brennon, Javier Jaimovich, and R. Benjamin Knapp. 2015. “Emotion in Motion: A Reimagined Framework for Biomusical/Emotional Interaction.” In Proceedings of the 2015 Conference on New Interfaces for Musical Expression (NIME 2015). Baton Rouge, Louisiana.

Jaimovich, Javier, and R. Benjamin Knapp. 2015. “Creating Biosignal Algorithms for Musical Applications from an Extensive Physiological Database.” In Proceedings of the 2015 Conference on New Interfaces for Musical Expression (NIME 2015). Baton Rouge, LA.

2014

Jaimovich, Javier. 2014. “Physiological Indicators of Emotion for Artistic Applications” Seminar presented at the Computer Science Seminar, Blacksburg.

2013

Cowie, Roddy, Martin Sawey, Cian Doherty, Javier Jaimovich, Cavan Fyans, and Paul Stapleton. 2013. “Gtrace: General Trace Program Compatible with EmotionML.” In Proceedings of the 2013 Humaine Association Conference on Affective Computing and Intelligent Interaction, 709–10. ACII ’13. Washington, DC, USA: IEEE Computer Society. doi:10.1109/ACII.2013.126.

Jaimovich, J., Coghlan, N. & Knapp, R.B., 2013. Emotion in Motion: A Study of Music and Affective Response. In M. Aramaki et al., eds. From Sounds to Music and Emotions. Lecture Notes in Computer Science. Springer Berlin Heidelberg, pp. 19–43.

Cowie, R., Doherty, C., Fyans, C., Jaimovich, J., Knapp, B., Ortiz-Perez, M. & Stapleton, P. (2013). Measuring audience experience in a live music environment. In Collaborate to Innovate Conference Access Horizon 2020, Dublin.

Jaimovich, J. et al., 2013. Music & Emotion Listening Experiments: Design, Implementation & Perspectives. In Paper presented at the 3rd International Conference on Music and Emotion. ICME 2013. Jyväskylä, Finland, p. 111.

Jaimovich, J., 2013. Emotion Recognition from Physiological Indicators for Musical Applications. Ph.D. Belfast, United Kingdom: Queen's University Belfast.

2012

Bortz, B. et al., 2012. ShEMP: A Mobile Framework for Shared Emotion, Music, and Physiology. In 3rd International Workshop on Social Behaviour in Music (SBM2012). 14th ACM International Conference on Multimodal Interaction. Santa Monica, CA.

Jaimovich, J., Coghlan, N. & Knapp, R.B., 2012. Emotion in Motion: A Study of Music and Affective Response. In Proceedings of the 9th International Symposium on Computer Music Modeling and Retrieval (CMMR) Music and Emotions. Symposium on Computer Music Modeling and Retrieval. Queen Mary University of London, pp. 29–44.

Jaimovich, J., Ortiz, M., et al., 2012. The Emotion in Motion Experiment: Using an Interactive Installation as a Means for Understanding Emotional Response to Music. InProceedings of the 2012 Conference on New Interfaces for Musical Expression (NIME). New Interfaces for Musical Expression. University of Michigan, Ann Arbor: Division of Computer Science & Engineering, University of Michigan, pp. 457–8.

2011

Ortiz, M. et al., 2011. Biosignal-driven Art: Beyond biofeedback. Ideas Sonicas / Sonic Ideas, Vol. 3(2), pp.43-52.

Jaimovich, J. et al., 2011. Workshop on Multi-Modal Data Acquisition for Musical Research. In Proceedings of the International Conference on New Interfaces for Musical Expression. NIME 2011. Oslo, Norway, p. 551.

2010

Jaimovich, J., 2010. Ground Me!: An Interactive Sound Art Installation. In Proceedings of the 2010 Conference on New Interfaces for Musical Expression (NIME 2010), Sydney, Australia. New Interfaces for Musical Expression. Sydney, Australia, pp. 391-394.

Jaimovich, J. & Knapp, R.B., 2010. Synchronization of Multimodal Recordings for Musical Performance Research. In Proceedings of the 2010 Conference on New Interfaces for Musical Expression (NIME 2010), Sydney, Australia. New Interfaces for Musical Expression. Sydney, Australia, pp. 372-374.

Jaimovich, J., Coghlan, N. & Knapp, R.B., 2010. Contagion of Physiological Correlates of Emotion between Performer and Audience: An Exploratory Study. In Bio-inspired Human-Machine Interfaces and Healthcare Applications. BIOSTEC 2010. Valencia, Spain, pp. 67-74.

2009

Coghlan, N. et al., 2009. AffecTech - an affect-aware interactive AV Artwork. In Paper presented at International Symposium on Electronic Arts 2009. International Symposium on Electronic Arts. Belfast.

Jaimovich, J., Coghlan, N. & Knapp, R.B., 2009. Feeling Music: A Quantitative Examination of Contagion Between Performer and Audience. In Paper presented at International Conference on Music and Emotion. International Conference on Music and Emotion. Durham, England.

Jaimovich, J. & Knapp, R.B., 2009. Pattern Recognition of Emotional States During Musical Performance from Physiological Signals. In Proceedings of the 2009 International Computer Music Conference. ICMC09. Montreal, Canada, pp. 461-4.

Knapp, R.B., Jaimovich, J. & Coghlan, N., 2009. Measurement of Motion and Emotion during Musical Performance. In Paper presented at the 2009 International Conference on Affective Computing & Intelligent Interaction. International Conference on Affective Computing & Intelligent Interaction. Amsterdam, The Netherlands.

2008

Glowinski, D. et al., 2008. Using induction and multimodal assessment to understand the role of emotion in musical performance. In Emotion in HCI – Designing for People. Proceedings of the 2008 International Workshop. Liverpool, pp. 8-12.